![]() Aided on the remix by Beyoncé, who audaciously tackles Spanish and ups the diva ante, “Mi Gente” became the first all-Spanish song to reach the top of Spotify’s Global Top 50 chart. His lines like “el mundo nos quiere” (“the world wants us”) transform the song into a universal call to the dancefloor, an embrace of solidarity and unification at a time of enormous worldwide polarization. No wonder “Mi Gente” was such a global, cross-culture sensation.īalvin worked with William to reinvent the source material, adding Spanish lyrics, chants, and ferocious Latin percussion. Much of what makes Colombian singer J Balvin’s “Mi Gente” sizzle-that audacious drumbeat, that insistent five-note vocal melody-is lifted from Mauritian-French singer Willy William’s 2017 track “Voodoo Song,” which itself reinterprets a sample from the Indian composer Akassh. J Balvin / Willy William: “Mi Gente (Remix)” (2017) ![]() But his actual relationship to such sources could be hard to read: Was Maus poking fun at music’s power to manufacture an emotional response, like when we find ourselves crying in the middle of a commercial, or celebrating its potential to offer us a fleeting moment of ecstasy, a glimpse of a world that is better than our own? Arriving at the end of 2011’s We Must Be the Pitiless Censors of Ourselves with the cathartic finality of perfectly curated exit music, this song-with its glittering harpsichord arpeggios, briskly pulsing bass, and grandiose allusions to borderless love-is the closest Maus has ever come to being a true believer. In tentative testimony, Smith-who was subpoenaed to take the stand in exchange for immunity-said he flew with Kelly from Orlando to Chicago after Kelly claimed Aaliyah was “in trouble.” Smith himself said he never believed Aaliyah was actually pregnant.Like many of his lo-fi pop contemporaries in the early ’10s, reclusive Midwesterner John Maus pushed underground music forward by looking backward-rejecting digital studio techniques in favor of old drum machines and wonky synths, excavating the dramatic excesses of ’80s stadium pop and sentimental radio jingles as though they held clues to some hard-to-pinpoint generational subconscious. (The marriage was later annulled.) According to Smith, Kelly believed Aaliyah was pregnant and that becoming her spouse would grant him authority to sign off on her abortion as a minor. Former tour manager Demetrius Smith told the court on Friday and Monday that he helped Kelly bribe an Illinois government employee to obtain a fake welfare ID for 15-year-old Aaliyah, falsifying her as legally of age to marry 27-year-old Kelly in 1994. Aaliyah princess of rnb torrent trial#The anniversary of Aaliyah’s death coincides with disturbing new testimony at Kelly’s federal sex trafficking trial in New York, in which Aaliyah is posthumously named as a Jane Doe. Kelly’s allegedly abusive and/or illegal relationships as well. ![]() She is often cited as the most prominent example of R. (The cooing baby sound effect on “Are You That Somebody?” must be one of the signature sounds of my ’90s teenhood.) Aaliyah was also an actress she landed roles in Romeo Must Die and The Queen of the Damned and was cast in a Matrix sequel she never got to film. She was 22 years old and already the reigning “princess of R&B,” credited with helping to popularize modern hip-hop and influencing a generation of TRL artists with her staccato, Timbaland- and Missy Elliott–produced beats. ![]() Aaliyah Dana Haughton died 20 years ago today, when a small plane carrying the singer and eight others crashed en route to Miami from a video shoot in the Bahamas. ![]()
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